Print

Design

Thoughtful print design for literary, cultural, and community-based work.

I create posters, book covers, and print collateral that translate complex ideas into clear, tangible forms. Emphasizing structure, typography, and visual rhythm, my work helps information remain readable, expressive, and grounded—whether a piece stands alone or lives within a larger system.

Each project is shaped by context: the audience, the content, and the place it comes from.

Cascadia Unfiltered Poster

Approach

My approach balances expressive typography with disciplined structure, allowing complex or information-rich content to feel accessible without losing nuance. I pay close attention to hierarchy, pacing, and visual cohesion—so each piece supports its purpose while remaining inviting and readable in real-world settings.

Rather than chasing trends, I focus on creating print work that feels rooted and durable—designs that support cultural memory, invite participation, and remain relevant over time.

Information Hierarchy & Editorial Structure

  • Designing layouts that support dense or layered content

  • Establishing clear visual hierarchy for dates, locations, participants, and sponsors

  • Ensuring readability across formats, sizes, and contexts

Typography & Visual Language

  • Typography as both structure and voice

  • Balancing expressive type with clarity and restraint

  • Integrating texture, illustration, and hand-drafted elements where appropriate

Illustration & Custom Graphics

  • Custom digital and analog illustration to support storytelling or place-based themes

  • Illustrative elements integrated into campaigns or identity systems

  • Graphics designed for print-first or hybrid print/digital use

Campaign & Event Collateral

  • Posters, flyers, and promotional materials for readings, festivals, exhibitions, and launches

  • Postcards, mailers, and printed outreach materials

  • Stickers and branded ephemera designed for engagement and visibility

Design that supports your goals and audience

Printed materials should do more than look good—they should clarify, invite, and endure. If you’re planning a book, event, or campaign and need print design that balances meaning with structure, I’d love to talk.

CONTACT